Neon Trees create buzz in the music scene

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By Alison Sikes NYU

Utah. A state known for its outdoor activities and scenic views, not for flash and bright colors. Alternative band Neon Trees hopes to electrify their home state’s reputation.  Self-described as post-pop punk, Neon Trees’ sound is infectious, entertaining, and dance-worthy.  Lead singer Tyler Glenn accredits bands like Passion Pit and The Big Pink as well as French DJs to their enthralling music. These influences are apparent in their first single “Animal.” The catchy song is a solid debut about comparing the start of a relationship to…well, to an animal. The upcoming video for “Animal” also takes from an interesting source of influence—Batman. As a teenager, Glenn loved superheroes like X-Men and of course, The Dark Knight. The band drew from their love of the Tim-Burton-directed Batman and paid homage to the Joker scene in which he and his cronies wreak havoc in an art gallery. Whether inspired by caped-crusaders or by electronic tastemakers, prepare for Neon Trees’ forthcoming album, Habits, to be filled with seductive vocals and hard-edged tracks about the habits of a relationship. Be sure to give Habits a listen when it is released on March 16th!

CD Review, “On Your Side”, A Rocket To The Moon and Concert Review for “TAKE ACTION” Tour with We the Kings, A Rocket To The Moon and Mayday Parade

CONCERT REVIEW for A ROCKET TO THE MOON, MAYDAY PARADE, AND WE THE KINGS at the House of Blues, Chicago

A Rocket to the Moon, an alternative band, wedged right in the middle of the concert lineup, delivered a time of hype and rocking out. They  were simply phenomenal. With catchy lyrics and beats, the House of Blues was full of smiling faces and bouncing feet. Lead singer, Nick Santino had a genuine smile upon his face as he sung his heart out and as the entire band never failed to rock out completely. The crowd enjoyed the happiness that emanated from the music, tapping their feet and clapping their hands. I couldn’t help but smile constantly.  A Rocket to the Moon delivered the kind of show that gives the unfamiliar audience a reason to go home and search their songs on the web and really give the songs a listen. They are obviously a band to know.

Mayday Parade stuck true to its rock out rage and had the House up off their feet. The energy was incredible as Mayday Parade shot out song after song with barely any breaks in between. It was a continuous flow of rocking.  Bassist Jeremy Lenzo and electric guitarist Brooks Betts never failed to run across the stage, stepping up onto equipment to play to the crowd. Lead singer, Alex Garcia, sung to the point of exhaustion. Even when it seemed as though he could not go any longer, he shouted out his lyrics and kept the energy flowing. Exhaustion was not an issue; no one wanted to stop. Jumping and rocking out to Mayday Parade was incredibly exhausting — but of course, that’s what we spend our good money for!

We the Kings was obviously a crowd favorite, as people escalated from moshing to crowd surfing by the second. Travis Clark made sure to connect with the audience by telling stories about the songs before rocking out to them. He really had the audience connecting with every song, especially the old favorites. The band delivered beautifully for the audience. At one point, Clark told the story of the “gang sign” of We the Kings which really displayed a connection to everyone out there. It was as if We the Kings‘ personality was evident on stage which is always so much more interesting. It also made the crowd become more in tune with the vibe of the band as they continued to rock out endlessly. Even the soulful, slower-tempo song was sung with complete honesty and shown on heart-wearing sleeves. The progression of the playlist was very well thought out and effective. The crowd escalated into a  frenzy and could not stop begging for more. By the last song, the pit had to be filled with bouncers who carried screaming and sweating fans off the crowd’s hands and back to the floor. When Travis Clark leaned into the crowd, the crowd went in a frenzy, trying and hoping to reach and rub Clark’s signature long, red locks. The concert ended in a cry for more;  absolutely no one wanted to leave.

REVIEW FOR ALBUM A ROCKET TO THE MOON’S NEWEST RELEASE, “ON YOUR SIDE”   by Rebecca Kay

On Your Side is the newest album out by the alternative group called A Rocket to the Moon. This band is quite talented in with creating, stuck in your head lyrics that match upbeat melodies.  From the first listen, I felt upbeat and songs that assured me that life would be good – no matter what.  Many of the songs might sound similar to the first released single, Mr. Right, however it’s no mystery to see why fans love Mr. Right. It’s catchy and I think most people will relate to these songs. Most of the songs center around subjects of love. However, every song has a specific message that never feels overdone.

I especially enjoyed the song Annabelle, because it shows that this is a band of ‘real guys’ – not superficial guys  searching solely for good looks or a good time, but rather sincere guys hoping to find a genuine girl. A Rocket to the Moon’s personality seems to resonate throughout their music and lyrics – lyrics which are written by the band. In each song, I could feel lead singer and guitarist, Nick Santino, pouring out his heart. I was drawn in by the passion within each of his heart-felt lyrics.

A Rocket to the Moon produces their own, very unique sound, which is not something many bands these days can claim. They are definitely not a band that has to rely on sound effects or gimmicks.  Instead, ARTTM puts forth genuine talent, hard work, honest lyrics, enjoyable melodies – all backed up with deeply- felt passion. Also, since having the real pleasure of experiencing their live show in Chicago at the House of Blues, I can vouch for the fact that A Rocket to the Moon is a  band that backs up their album with a beautifully performed and rocked-out live show.  I would highly suggest you give their new release a listen and by all means, catch them live if you can.

Reviews from Sami

By Samantha Ponoroff

LMFAO’s ‘Party Rock’ Review

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I have to admit that when I listened to LMFAO’s newest album, I did so with a pompous attitude. I expected their usual, tacky and sell-out-ish style, similar to Weird-Al. And although the first few songs were lackluster, I overall did like ‘Party Rock.’ Yes, their lyrics were womanizing and meaningless, but they are also fun and catchy. ‘Party Rock’ is PERFECT for a workout or party. And although ‘Party Rock’ does not have much staying power, its short lived reign should be fun-filled.

‘Party Rock’ is PERFECT for a night out, and carefree dancing…but, it does not have potential to be talked about in 5 or 10 years time.

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Celeste Starchild “The Witch is Dead” Review

Celeste Starchild’s song “The Witch is Dead” is strange, playing like a laundry list of Starchild’s conquests. And as one watches the video that goes with it, it’s almost hard not to laugh. The style of animation mixed with the immature lyrics gives one a feeling of accomplishment, because you were not the one who created that “art.”
As the video begins there is a cute moment as the first boy makes Starchild “loose her heart” (Starchild is actually carrying the heart in a suitcase for usexplained reasons). But, Starchild sooner dumps her first boy-toy and moves on. As the video progresses, Starchild goes through a slew of boys, all the while repeating their names and listing their memorable qualities.
The only thing that can be concluded from this video is that Starchild is attracted to criminals, liars, and other types of felons. Not only did Starchild write an impressively horrid song, but she managed to find a directer (Brian Bear) to accompany it with a just-as-horrid video.
You can check the music video and song out here.

images-2Yeasayer’s “Ambling Alp” Video Review

As Yeasayer’s video for “Ambling Alp” begins one gets a visual of what appears to be bubbling lard. Confused, the viewer watches the video, searching for any explanation. This is where Yeasayer got it right: they managed to hook their audience in the first few seconds of their four mintue video.
As the video continues the viewer is shown flashes of different visuals, in true hipster-music nature, and has to wait some time for sort of resolution concerning the yellow bubbly liquid.
As the bubbly liquid finally reappears one sees the band covered in a hardened version of it. At this point, the video begins to get a little weird. The next frames consist of naked looking individuals removing the hardened yellow material, and what seems to be a massive orgy.
Although the video seems to be pointless, it is definitely interesting, and the music is great.
You can check the video out here

The Evils of the Merger

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by Alexandra Rivera        Boca Raton Community High School

Recently, the United States Department of Justice confirmed the merger between two of the largest ticket retailers in the country, TicketMaster and Live Nation. For avid concert-goers like me, this is probably the worst decision ever made in the world of music. Is any good going to come out of it?

The world of government anti-trust issues dates all the way back to the mid-1800s, post-Civil War era, when corporate giants such as John D. Rockefeller and J.P. Morgan broke onto the scene with trusts and mega-corporations in the oil and banking industries. Fast-forward to 2010, and the predecessors for our anti-trust laws and governmental control over some companies sparked the beginning of this awful merger that victimizes fans across the country.

The merger clearly brings the two companies together and is now being called “Live Nation Entertainment, Inc.” to incorporate the titles of the two as well as to “reflect the combination of Live Nation’s concert promotion expertise with Ticketmaster’s world-class ticketing solutions and artist relationships,” according to the DOJ (whatever THAT means). The DOJ also states that “Through this merger, the parties believe that the combined company will have the tools to develop new products, expand access, improve transparency and deliver artists and fans more choice.  This will drive greater attendance at live events and bringing more value to all major constituents in the industry. The combined company also expects to pursue significant growth opportunities in markets around the world.” I rolled my eyes at the end of that statement.

As previously stated, I am an avid concert-goer. I attend at least three shows per year and sometimes the numbers increase, and ticket prices are already expensive to begin with, especially in the economic state that our nation is in. Throw all of the extra “service fees” and “processing charges” on top of a General Admission price and your $15.00 ticket shoots up to about twice of what it’s worth. I usually buy my tickets from Live Nation, and they charge the same fees, but the prices are usually not that bad compared to TicketMaster’s. Thus, TicketMaster merging with Live Nation is going to make the prices of tickets completely skyrocket into the clouds while simultaneously downsizing the amount of people that are going to spend their hard-earned money on tickets. TicketMaster’s so-called “ticketing solutions” are just ways to make people spend more money than they have to.

Also, how is this merger going to increase the attendance at shows? When I go to shows, they’re usually at smaller venues, such as Culture Room (Ft. Lauderdale) or Revolution Live (Ft. Lauderdale), and even then the venues don’t reach their maximum capacities. As a matter of fact, Culture Room receives more shows because they sell their tickets so cheap that it costs Revolution too much money to hold a show there. But, this merger won’t increase attendance, it’ll just decrease it, because no one has the money to go see their favorite artists anymore, and if they do go to shows then they will attend them at smaller venues that sell tickets for more affordable prices. The days of shows at sold-out arenas and theaters are far from over, and the times of shows at underground clubs or bars are ever-present.

Aside from the merger directly affecting fans, it also directly affects bands. From their perspective, the merger means less and less fans at shows since the price of renting venues is  constantly increasing and also because ticket sales are so low. According to Yahoo, artists and bands are not thrilled about this at all:

“Bruce Springsteen, already furious with Ticketmaster for directing fans to a subsidiary selling tickets for above-face value, recently posted a statement on his Web site saying a deal with Live Nation could end up ‘returning us to a near-monopoly situation in music ticketing.’”

Clearly, this merger poses hundreds of problems and it hasn’t made people very happy. America is supposed to be a democracy, which also means that mega-corporations cannot monopolize and break our anti-trust laws just to get more money to line their overstuffed pockets. With that said, although we as fans may not have a lot of power to do something about this, the only thing we can do is continue to support our artists and try not to let the merger get in the way of what we want as an audience—real live entertainment.

Hot Chip was On Fire!

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It was a freezing New York night.  The temperature was well below 20 degrees and the wind  was at least 17 miles per hour. I, like 600 fans, waited in this unbearable weather to see British electro-pop band Hot Chip perform their first show in over a year at the Highline Ballroom.  Thanks to MySpace Secret Shows, the concert was free but honestly, I would have paid my entire salary to experience that concert again. I have never been more impressed by a band. Let me start off by saying that prior to the show, I knew two Hot Chip songs, “Ready for the Floor” and “Boy from School”—which they played incredibly. It’s safe to say that I had no expectations.

When lead singer Alexis Taylor walked out in all yellow and orange dress shoes, I knew I was in for a good time. Beginning with “Thieves in the night” off of their latest release One Life Stand, the audience and I were immediately enthralled and instantly felt compelled to dance. . For two hours,  we jumped and gyrated and did not stop until show was over.  Hot Chip sounds as great, if not better live, than they do in your iPod.  Incorporating synths, a steel drum, and your basic rock instruments, their music translates into a heavy-dance-laden rock that sends you into a sensory-overload. After the show, I downloaded their entire discography and can’t stop listening to them. One Life Stand is a fantastic album, be sure to check it out. If Hot Chip ever comes to your town or you’re invited to one of their shows, do not hesitate. GO! You will have a great time.

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